.blacK~SSStaTic_darK~fuZZZ_dOOm~glitCH.
Curated by Amelia Ishmael
Friday, April 12 at 8:00pm, $7-10
This video/film program is a screening inspired by storms and digital sorcery, or more pointedly, an assemblage of lights and sounds to elicit a chaotic vortex of smudgy black charcoal that is streaked with freezing water, painted on celluloid, stained by sea creatures, hexed through new media, and entranced by guitar riffs. It includes moving images and sounds by Aldo Tambellini, Cultus Sabbati, Gast Bouschet and Nadine Hilbert, jonCates, mojo (for Aluk Todolo), Reto Mäder and Daniel Steffen (for Ural Umbo), Alexander Stewart, and Semiconductor.
.blacK~SSStaTic_darK~fuZZZ_dOOm~glitCH. was curated by invitation for Nitehawk Cinema’s Artist Film Club in Brooklyn, NY, where it premiered on January 24, 2013.
The Chicago screening will include an additional chapter, with video by Sandra Gibson and Luis Recoder and sound by Olivia Block.
Something failed when appending, with Phil Morton and Jon Cates
http://remixitright.tumblr.com
YOU CAN REMIX-IT-RIGHT?!
REMIX-IT-RIGHT is a screening program of contemporary video and new media artists remixing and reimagining works by Chicago Media Art pioneer Phil Morton. Morton’s genre-defying work anticipated remix; he also developed COPY-IT-RIGHT, an alternative to copyright that encourages making, sharing, re-editing and distributing media art!
REMIX-IT-RIGHT will screen on THURSDAY MARCH 7 in downtown Chicago at the Gene Siskel Film Center, as part of Conversations At The Edge with the Society for Cinema and Media Studies Annual Conference.
AND YOU CAN PARTICIPATE! Just make your own remixes in forms that can be easily shown (such as Animated GIFs or videos) from the video above, General Motors by Phil Morton. Part 1 is above and Part 2 is below:General Motors (Part 2) - Phil Morton (1976) from Phil Morton on Vimeo.
both videos have download links via Vimeo so that you can download General Motors, Phil Morton’s most well known video art work!
Then post links to your remixes here on this tumblr as FEEDBACK! Or simply post your remixes to your own tumblrs and tag your posts: “REMIX-IT-RIGHT”! Selected remixes will be included in REMIX-IT-RIGHT screening along side the work of amazing international artists such as Yoshi Sodeoka, Rick Silva, Jennifer Chan, Emilie Gervais, Constant Dullaart, Nick Briz and Akihiko Taniguchi!
This program is generously supported by the Richard and Ellen Sandor Family Foundation.Organized by the Department of Film, Video, New Media, and Animation at The School of the Art Institute of Chicago in collaboration with the Gene Siskel Film Center and the Video Data Bank, Conversations at the Edge is a dynamic weekly series of screenings, artist talks, and performances by some of the most compelling media artists of yesterday and today.
Diamonds ( Green Screen Version )
Nick Briz (2012) copy<it>right
&& rotoscoped by Andrew Briz
DOWNLOAD MOV
Web Artists Are Furious At Rihanna And Azealia Banks - “Rihanna’s performance of “Diamonds” on Saturday Night Live this weekend took most people by surprise, mainly because she was singing in front of a green screen instead of the show’s usual stage for musical guests. A small number of Web artists were in for a bigger surprise, though, as their visual aesthetic was co-opted entirely by the singer without consultation or credit.” > Buzzfeed
+ Rihanna’s ‘SNL’ Performance Sparks Internet Backlash + The Internet Is Pissed At Rihanna For Her Screensaver Performance On ‘SNL’ + Cool Or Commerical: Rihanna and Azealia Banks Dip Into The Tumblr-Pond + Do Seapunks Have a Right to Be Pissed at Rihanna?
“But to claim that we, all of us, are not a part of this mutation process ourselves is the kind of lie that is unproductive, different than the creative, productive lie I mentioned before. We have to embrace mutation in all it’s forms if we embrace it at all. From net kids giving new meaning to the emptiness of commercial space, to art directors getting it wrong but thus getting it right. This is an exciting cycle that is also painful, like life.” > Jacob Ciocci
“I am the Black Square (1917)…” VS Visually similar images “Airsoft Special Forces Kit [HD] Navy SEAL-Inspired [NOT AN IMPRESSION]”
Notacon has a Digital Arts track open now for proposals!
Call for Proposals is for the Digital Arts track of NOTACON 10. Proposals in this track can be for:
Papers: propose academic or artistic presentations of original research
Projects: present individual or collaborative Digital Arts projects
Workshops: lead workshops on technological, aesthetic or conceptual approaches
Conference Topics include:
Connections between Hacking, Media and/or Digital Art
Hacking as Art and Artists as Hackers
Histories of Gaming and Art
Indie Games and Art Games
Old School Computing in the Arts
New Media Art Histories
Electronics, DIY and DIT Projects and/or Maker Communitiues
Demoscene technologies, cultures and/or histories!
notacon.org/get-involved-2/submit-a-proposal/digital-arts-conference-topics/
NOTACON is also home to Pixelj.am demoparty! && the Pixelj.am demoparty is also home to sum D1RTY N3W M3DI∆ styles, GLITCHSCENEs && critical glitch artware!
![[>_]()\/\/Q><](http://24.media.tumblr.com/tumblr_mbup2vR5a21qcj7b3o1_500.jpg "[>_]()\/\/Q><")
![[Animated GIF excerpt #yVR9r7fs - bitcrushed]
…preparing for my Post-Static: Realtime New Media && Noise performance project tmrw:
Post-Static: Realtime Performances by jonCates & Jon Satromcurated by Christy LeMaster
Thursday, September 20th, 2012
6 PM
$5
Intuit756 N. Milwaukee AveChicago, IL60642
In conjunction with the current exhibit, Ex-Static: George Kagan’s Radios, Intuit has invited two local new media artists, Jon Cates and Jon Satrom, to create screen-based, real-time performances inspired by Kagan’s re-purposed and interactive radios. Both Cates and Satrom glitch hardware and software to create live cinema performances in the same way Kagan tweaks radio technology. Technological objects expand in purpose to become instruments of sound and image.
http://www.art.org/2012/08/post-static/
Bios:
jonCates makes Dirty New Media Art, Noise Musics and Computer Glitchcraft. His experimental New Media Art projects are presented internationally in exhibitions and events from Berlin to Beijing, Cairo to Chicago, Madrid to Mexico City and widely available online. His writings on Media Art Histories also appear online and in print publications, as in recent books from Gestalten, The Penn State University Press and Unsorted Books. He is the Chair of the Film, Video, New Media & Animation department at the School of the Art Institute of Chicago:
http://systemsapproach.net
Jon Satrom undermines interfaces, problematizes presets, and bends data. He spends his days fixing things and making things work. He spends his evenings breaking things and searching for the unique blips inherent to the systems he explores and exploits. By over-clocking everyday digital tools, Satrom kludges abandonware, funware, necroware, and artware into extended-dirty-glitchy-systems for performance, execution, and collaboration. His time-based works have been enjoyed on screens of all sizes; his Prepared Desktop has been performed in many localizations. Satrom organizes, develops, and performs with I ♥ PRESETS, poxparty, GLI.TC/H, in addition to other initiatives with talented dirty new-media comrades.
http://jonsatrom.com](http://25.media.tumblr.com/tumblr_malrw1hFuW1qcj7b3o1_500.gif "[Animated GIF excerpt #yVR9r7fs - bitcrushed]
…preparing for my Post-Static: Realtime New Media && Noise performance project tmrw:
Post-Static: Realtime Performances by jonCates & Jon Satromcurated by Christy LeMaster
Thursday, September 20th, 2012
6 PM
$5
Intuit756 N. Milwaukee AveChicago, IL60642
In conjunction with the current exhibit, Ex-Static: George Kagan’s Radios, Intuit has invited two local new media artists, Jon Cates and Jon Satrom, to create screen-based, real-time performances inspired by Kagan’s re-purposed and interactive radios. Both Cates and Satrom glitch hardware and software to create live cinema performances in the same way Kagan tweaks radio technology. Technological objects expand in purpose to become instruments of sound and image.
http://www.art.org/2012/08/post-static/
Bios:
jonCates makes Dirty New Media Art, Noise Musics and Computer Glitchcraft. His experimental New Media Art projects are presented internationally in exhibitions and events from Berlin to Beijing, Cairo to Chicago, Madrid to Mexico City and widely available online. His writings on Media Art Histories also appear online and in print publications, as in recent books from Gestalten, The Penn State University Press and Unsorted Books. He is the Chair of the Film, Video, New Media & Animation department at the School of the Art Institute of Chicago:
http://systemsapproach.net
Jon Satrom undermines interfaces, problematizes presets, and bends data. He spends his days fixing things and making things work. He spends his evenings breaking things and searching for the unique blips inherent to the systems he explores and exploits. By over-clocking everyday digital tools, Satrom kludges abandonware, funware, necroware, and artware into extended-dirty-glitchy-systems for performance, execution, and collaboration. His time-based works have been enjoyed on screens of all sizes; his Prepared Desktop has been performed in many localizations. Satrom organizes, develops, and performs with I ♥ PRESETS, poxparty, GLI.TC/H, in addition to other initiatives with talented dirty new-media comrades.
http://jonsatrom.com")
[Animated GIF excerpt #yVR9r7fs - bitcrushed]
…preparing for my Post-Static: Realtime New Media && Noise performance project tmrw:
Post-Static: Realtime Performances by jonCates & Jon Satrom
curated by Christy LeMaster
Thursday, September 20th, 2012
6 PM
$5
Intuit
756 N. Milwaukee Ave
Chicago, IL
60642
In conjunction with the current exhibit, Ex-Static: George Kagan’s Radios, Intuit has invited two local new media artists, Jon Cates and Jon Satrom, to create screen-based, real-time performances inspired by Kagan’s re-purposed and interactive radios. Both Cates and Satrom glitch hardware and software to create live cinema performances in the same way Kagan tweaks radio technology. Technological objects expand in purpose to become instruments of sound and image.
http://www.art.org/2012/08/post-static/
Bios:
jonCates makes Dirty New Media Art, Noise Musics and Computer Glitchcraft. His experimental New Media Art projects are presented internationally in exhibitions and events from Berlin to Beijing, Cairo to Chicago, Madrid to Mexico City and widely available online. His writings on Media Art Histories also appear online and in print publications, as in recent books from Gestalten, The Penn State University Press and Unsorted Books. He is the Chair of the Film, Video, New Media & Animation department at the School of the Art Institute of Chicago:
Jon Satrom undermines interfaces, problematizes presets, and bends data. He spends his days fixing things and making things work. He spends his evenings breaking things and searching for the unique blips inherent to the systems he explores and exploits. By over-clocking everyday digital tools, Satrom kludges abandonware, funware, necroware, and artware into extended-dirty-glitchy-systems for performance, execution, and collaboration. His time-based works have been enjoyed on screens of all sizes; his Prepared Desktop has been performed in many localizations. Satrom organizes, develops, and performs with I ♥ PRESETS, poxparty, GLI.TC/H, in addition to other initiatives with talented dirty new-media comrades.
![[Animated GIF excerpt #znX3bvuA]
…preparing for my Post-Static: Realtime New Media && Noise performance project tmrw:
Post-Static: Realtime Performances by jonCates & Jon Satromcurated by Christy LeMaster
Thursday, September 20th, 2012
6 PM
$5
Intuit756 N. Milwaukee AveChicago, IL60642
In conjunction with the current exhibit, Ex-Static: George Kagan’s Radios, Intuit has invited two local new media artists, Jon Cates and Jon Satrom, to create screen-based, real-time performances inspired by Kagan’s re-purposed and interactive radios. Both Cates and Satrom glitch hardware and software to create live cinema performances in the same way Kagan tweaks radio technology. Technological objects expand in purpose to become instruments of sound and image.
http://www.art.org/2012/08/post-static/
Bios:
jonCates makes Dirty New Media Art, Noise Musics and Computer Glitchcraft. His experimental New Media Art projects are presented internationally in exhibitions and events from Berlin to Beijing, Cairo to Chicago, Madrid to Mexico City and widely available online. His writings on Media Art Histories also appear online and in print publications, as in recent books from Gestalten, The Penn State University Press and Unsorted Books. He is the Chair of the Film, Video, New Media & Animation department at the School of the Art Institute of Chicago:
http://systemsapproach.net
Jon Satrom undermines interfaces, problematizes presets, and bends data. He spends his days fixing things and making things work. He spends his evenings breaking things and searching for the unique blips inherent to the systems he explores and exploits. By over-clocking everyday digital tools, Satrom kludges abandonware, funware, necroware, and artware into extended-dirty-glitchy-systems for performance, execution, and collaboration. His time-based works have been enjoyed on screens of all sizes; his Prepared Desktop has been performed in many localizations. Satrom organizes, develops, and performs with I ♥ PRESETS, poxparty, GLI.TC/H, in addition to other initiatives with talented dirty new-media comrades.
http://jonsatrom.com](http://25.media.tumblr.com/tumblr_malrolZIPX1qcj7b3o1_500.gif "[Animated GIF excerpt #znX3bvuA]
…preparing for my Post-Static: Realtime New Media && Noise performance project tmrw:
Post-Static: Realtime Performances by jonCates & Jon Satromcurated by Christy LeMaster
Thursday, September 20th, 2012
6 PM
$5
Intuit756 N. Milwaukee AveChicago, IL60642
In conjunction with the current exhibit, Ex-Static: George Kagan’s Radios, Intuit has invited two local new media artists, Jon Cates and Jon Satrom, to create screen-based, real-time performances inspired by Kagan’s re-purposed and interactive radios. Both Cates and Satrom glitch hardware and software to create live cinema performances in the same way Kagan tweaks radio technology. Technological objects expand in purpose to become instruments of sound and image.
http://www.art.org/2012/08/post-static/
Bios:
jonCates makes Dirty New Media Art, Noise Musics and Computer Glitchcraft. His experimental New Media Art projects are presented internationally in exhibitions and events from Berlin to Beijing, Cairo to Chicago, Madrid to Mexico City and widely available online. His writings on Media Art Histories also appear online and in print publications, as in recent books from Gestalten, The Penn State University Press and Unsorted Books. He is the Chair of the Film, Video, New Media & Animation department at the School of the Art Institute of Chicago:
http://systemsapproach.net
Jon Satrom undermines interfaces, problematizes presets, and bends data. He spends his days fixing things and making things work. He spends his evenings breaking things and searching for the unique blips inherent to the systems he explores and exploits. By over-clocking everyday digital tools, Satrom kludges abandonware, funware, necroware, and artware into extended-dirty-glitchy-systems for performance, execution, and collaboration. His time-based works have been enjoyed on screens of all sizes; his Prepared Desktop has been performed in many localizations. Satrom organizes, develops, and performs with I ♥ PRESETS, poxparty, GLI.TC/H, in addition to other initiatives with talented dirty new-media comrades.
http://jonsatrom.com")
[Animated GIF excerpt #znX3bvuA]
…preparing for my Post-Static: Realtime New Media && Noise performance project tmrw:
Post-Static: Realtime Performances by jonCates & Jon Satrom
curated by Christy LeMaster
Thursday, September 20th, 2012
6 PM
$5
Intuit
756 N. Milwaukee Ave
Chicago, IL
60642
In conjunction with the current exhibit, Ex-Static: George Kagan’s Radios, Intuit has invited two local new media artists, Jon Cates and Jon Satrom, to create screen-based, real-time performances inspired by Kagan’s re-purposed and interactive radios. Both Cates and Satrom glitch hardware and software to create live cinema performances in the same way Kagan tweaks radio technology. Technological objects expand in purpose to become instruments of sound and image.
http://www.art.org/2012/08/post-static/
Bios:
jonCates makes Dirty New Media Art, Noise Musics and Computer Glitchcraft. His experimental New Media Art projects are presented internationally in exhibitions and events from Berlin to Beijing, Cairo to Chicago, Madrid to Mexico City and widely available online. His writings on Media Art Histories also appear online and in print publications, as in recent books from Gestalten, The Penn State University Press and Unsorted Books. He is the Chair of the Film, Video, New Media & Animation department at the School of the Art Institute of Chicago:
Jon Satrom undermines interfaces, problematizes presets, and bends data. He spends his days fixing things and making things work. He spends his evenings breaking things and searching for the unique blips inherent to the systems he explores and exploits. By over-clocking everyday digital tools, Satrom kludges abandonware, funware, necroware, and artware into extended-dirty-glitchy-systems for performance, execution, and collaboration. His time-based works have been enjoyed on screens of all sizes; his Prepared Desktop has been performed in many localizations. Satrom organizes, develops, and performs with I ♥ PRESETS, poxparty, GLI.TC/H, in addition to other initiatives with talented dirty new-media comrades.
![[Animated GIF excerpt #vWbYsEKm - bitcrushed]
…preparing for my Post-Static: Realtime New Media && Noise performance project tmrw:
Post-Static: Realtime Performances by jonCates & Jon Satromcurated by Christy LeMaster
Thursday, September 20th, 2012
6 PM
$5
Intuit756 N. Milwaukee AveChicago, IL60642
In conjunction with the current exhibit, Ex-Static: George Kagan’s Radios, Intuit has invited two local new media artists, Jon Cates and Jon Satrom, to create screen-based, real-time performances inspired by Kagan’s re-purposed and interactive radios. Both Cates and Satrom glitch hardware and software to create live cinema performances in the same way Kagan tweaks radio technology. Technological objects expand in purpose to become instruments of sound and image.
http://www.art.org/2012/08/post-static/
Bios:
jonCates makes Dirty New Media Art, Noise Musics and Computer Glitchcraft. His experimental New Media Art projects are presented internationally in exhibitions and events from Berlin to Beijing, Cairo to Chicago, Madrid to Mexico City and widely available online. His writings on Media Art Histories also appear online and in print publications, as in recent books from Gestalten, The Penn State University Press and Unsorted Books. He is the Chair of the Film, Video, New Media & Animation department at the School of the Art Institute of Chicago:
http://systemsapproach.net
Jon Satrom undermines interfaces, problematizes presets, and bends data. He spends his days fixing things and making things work. He spends his evenings breaking things and searching for the unique blips inherent to the systems he explores and exploits. By over-clocking everyday digital tools, Satrom kludges abandonware, funware, necroware, and artware into extended-dirty-glitchy-systems for performance, execution, and collaboration. His time-based works have been enjoyed on screens of all sizes; his Prepared Desktop has been performed in many localizations. Satrom organizes, develops, and performs with I ♥ PRESETS, poxparty, GLI.TC/H, in addition to other initiatives with talented dirty new-media comrades.
http://jonsatrom.com](http://24.media.tumblr.com/tumblr_malrfiv2Ig1qcj7b3o1_500.gif "[Animated GIF excerpt #vWbYsEKm - bitcrushed]
…preparing for my Post-Static: Realtime New Media && Noise performance project tmrw:
Post-Static: Realtime Performances by jonCates & Jon Satromcurated by Christy LeMaster
Thursday, September 20th, 2012
6 PM
$5
Intuit756 N. Milwaukee AveChicago, IL60642
In conjunction with the current exhibit, Ex-Static: George Kagan’s Radios, Intuit has invited two local new media artists, Jon Cates and Jon Satrom, to create screen-based, real-time performances inspired by Kagan’s re-purposed and interactive radios. Both Cates and Satrom glitch hardware and software to create live cinema performances in the same way Kagan tweaks radio technology. Technological objects expand in purpose to become instruments of sound and image.
http://www.art.org/2012/08/post-static/
Bios:
jonCates makes Dirty New Media Art, Noise Musics and Computer Glitchcraft. His experimental New Media Art projects are presented internationally in exhibitions and events from Berlin to Beijing, Cairo to Chicago, Madrid to Mexico City and widely available online. His writings on Media Art Histories also appear online and in print publications, as in recent books from Gestalten, The Penn State University Press and Unsorted Books. He is the Chair of the Film, Video, New Media & Animation department at the School of the Art Institute of Chicago:
http://systemsapproach.net
Jon Satrom undermines interfaces, problematizes presets, and bends data. He spends his days fixing things and making things work. He spends his evenings breaking things and searching for the unique blips inherent to the systems he explores and exploits. By over-clocking everyday digital tools, Satrom kludges abandonware, funware, necroware, and artware into extended-dirty-glitchy-systems for performance, execution, and collaboration. His time-based works have been enjoyed on screens of all sizes; his Prepared Desktop has been performed in many localizations. Satrom organizes, develops, and performs with I ♥ PRESETS, poxparty, GLI.TC/H, in addition to other initiatives with talented dirty new-media comrades.
http://jonsatrom.com")
[Animated GIF excerpt #vWbYsEKm - bitcrushed]
…preparing for my Post-Static: Realtime New Media && Noise performance project tmrw:
Post-Static: Realtime Performances by jonCates & Jon Satrom
curated by Christy LeMaster
Thursday, September 20th, 2012
6 PM
$5
Intuit
756 N. Milwaukee Ave
Chicago, IL
60642
In conjunction with the current exhibit, Ex-Static: George Kagan’s Radios, Intuit has invited two local new media artists, Jon Cates and Jon Satrom, to create screen-based, real-time performances inspired by Kagan’s re-purposed and interactive radios. Both Cates and Satrom glitch hardware and software to create live cinema performances in the same way Kagan tweaks radio technology. Technological objects expand in purpose to become instruments of sound and image.
http://www.art.org/2012/08/post-static/
Bios:
jonCates makes Dirty New Media Art, Noise Musics and Computer Glitchcraft. His experimental New Media Art projects are presented internationally in exhibitions and events from Berlin to Beijing, Cairo to Chicago, Madrid to Mexico City and widely available online. His writings on Media Art Histories also appear online and in print publications, as in recent books from Gestalten, The Penn State University Press and Unsorted Books. He is the Chair of the Film, Video, New Media & Animation department at the School of the Art Institute of Chicago:
Jon Satrom undermines interfaces, problematizes presets, and bends data. He spends his days fixing things and making things work. He spends his evenings breaking things and searching for the unique blips inherent to the systems he explores and exploits. By over-clocking everyday digital tools, Satrom kludges abandonware, funware, necroware, and artware into extended-dirty-glitchy-systems for performance, execution, and collaboration. His time-based works have been enjoyed on screens of all sizes; his Prepared Desktop has been performed in many localizations. Satrom organizes, develops, and performs with I ♥ PRESETS, poxparty, GLI.TC/H, in addition to other initiatives with talented dirty new-media comrades.
![[Animated GIF excerpt #g6ZpmN3G]
…preparing for my Post-Static: Realtime New Media && Noise performance project tmrw:
Post-Static: Realtime Performances by jonCates & Jon Satrom
curated by Christy LeMaster at Intuit
Thursday, September 20th, 2012
6 PM
$5
Intuit756 N. Milwaukee AveChicago, IL60642
In conjunction with the current exhibit, Ex-Static: George Kagan’s Radios, Intuit has invited two local new media artists, Jon Cates and Jon Satrom, to create screen-based, real-time performances inspired by Kagan’s re-purposed and interactive radios. Both Cates and Satrom glitch hardware and software to create live cinema performances in the same way Kagan tweaks radio technology. Technological objects expand in purpose to become instruments of sound and image.
http://www.art.org/2012/08/post-static/
Bios:
jonCates makes Dirty New Media Art, Noise Musics and Computer Glitchcraft. His experimental New Media Art projects are presented internationally in exhibitions and events from Berlin to Beijing, Cairo to Chicago, Madrid to Mexico City and widely available online. His writings on Media Art Histories also appear online and in print publications, as in recent books from Gestalten, The Penn State University Press and Unsorted Books. He is the Chair of the Film, Video, New Media & Animation department at the School of the Art Institute of Chicago:
http://systemsapproach.net
Jon Satrom undermines interfaces, problematizes presets, and bends data. He spends his days fixing things and making things work. He spends his evenings breaking things and searching for the unique blips inherent to the systems he explores and exploits. By over-clocking everyday digital tools, Satrom kludges abandonware, funware, necroware, and artware into extended-dirty-glitchy-systems for performance, execution, and collaboration. His time-based works have been enjoyed on screens of all sizes; his Prepared Desktop has been performed in many localizations. Satrom organizes, develops, and performs with I ♥ PRESETS, poxparty, GLI.TC/H, in addition to other initiatives with talented dirty new-media comrades.
http://jonsatrom.com](http://24.media.tumblr.com/tumblr_malr7p9Jmq1qcj7b3o1_500.gif "[Animated GIF excerpt #g6ZpmN3G]
…preparing for my Post-Static: Realtime New Media && Noise performance project tmrw:
Post-Static: Realtime Performances by jonCates & Jon Satrom
curated by Christy LeMaster at Intuit
Thursday, September 20th, 2012
6 PM
$5
Intuit756 N. Milwaukee AveChicago, IL60642
In conjunction with the current exhibit, Ex-Static: George Kagan’s Radios, Intuit has invited two local new media artists, Jon Cates and Jon Satrom, to create screen-based, real-time performances inspired by Kagan’s re-purposed and interactive radios. Both Cates and Satrom glitch hardware and software to create live cinema performances in the same way Kagan tweaks radio technology. Technological objects expand in purpose to become instruments of sound and image.
http://www.art.org/2012/08/post-static/
Bios:
jonCates makes Dirty New Media Art, Noise Musics and Computer Glitchcraft. His experimental New Media Art projects are presented internationally in exhibitions and events from Berlin to Beijing, Cairo to Chicago, Madrid to Mexico City and widely available online. His writings on Media Art Histories also appear online and in print publications, as in recent books from Gestalten, The Penn State University Press and Unsorted Books. He is the Chair of the Film, Video, New Media & Animation department at the School of the Art Institute of Chicago:
http://systemsapproach.net
Jon Satrom undermines interfaces, problematizes presets, and bends data. He spends his days fixing things and making things work. He spends his evenings breaking things and searching for the unique blips inherent to the systems he explores and exploits. By over-clocking everyday digital tools, Satrom kludges abandonware, funware, necroware, and artware into extended-dirty-glitchy-systems for performance, execution, and collaboration. His time-based works have been enjoyed on screens of all sizes; his Prepared Desktop has been performed in many localizations. Satrom organizes, develops, and performs with I ♥ PRESETS, poxparty, GLI.TC/H, in addition to other initiatives with talented dirty new-media comrades.
http://jonsatrom.com")
[Animated GIF excerpt #g6ZpmN3G]
…preparing for my Post-Static: Realtime New Media && Noise performance project tmrw:
Post-Static: Realtime Performances by jonCates & Jon Satrom
curated by Christy LeMaster at Intuit
Thursday, September 20th, 2012
6 PM
$5
Intuit
756 N. Milwaukee Ave
Chicago, IL
60642
In conjunction with the current exhibit, Ex-Static: George Kagan’s Radios, Intuit has invited two local new media artists, Jon Cates and Jon Satrom, to create screen-based, real-time performances inspired by Kagan’s re-purposed and interactive radios. Both Cates and Satrom glitch hardware and software to create live cinema performances in the same way Kagan tweaks radio technology. Technological objects expand in purpose to become instruments of sound and image.
http://www.art.org/2012/08/post-static/
Bios:
jonCates makes Dirty New Media Art, Noise Musics and Computer Glitchcraft. His experimental New Media Art projects are presented internationally in exhibitions and events from Berlin to Beijing, Cairo to Chicago, Madrid to Mexico City and widely available online. His writings on Media Art Histories also appear online and in print publications, as in recent books from Gestalten, The Penn State University Press and Unsorted Books. He is the Chair of the Film, Video, New Media & Animation department at the School of the Art Institute of Chicago:
Jon Satrom undermines interfaces, problematizes presets, and bends data. He spends his days fixing things and making things work. He spends his evenings breaking things and searching for the unique blips inherent to the systems he explores and exploits. By over-clocking everyday digital tools, Satrom kludges abandonware, funware, necroware, and artware into extended-dirty-glitchy-systems for performance, execution, and collaboration. His time-based works have been enjoyed on screens of all sizes; his Prepared Desktop has been performed in many localizations. Satrom organizes, develops, and performs with I ♥ PRESETS, poxparty, GLI.TC/H, in addition to other initiatives with talented dirty new-media comrades.
“SYSTEM ERROR” A showcase of glitch art.
This August 31 i will exhibit my artwork alongside other awesome artists in Gallery 148, 2501 Stevens Avenue South Minneapolis, MN 55404
I hope you can attend :)
g1ft3d
NIGHTNIGHT by DEDDY
