.blacK~SSStaTic_darK~fuZZZ_dOOm~glitCH.

Curated by Amelia Ishmael

 Friday, April 12 at 8:00pm, $7-10
This video/film program is a screening inspired by storms and digital sorcery, or more pointedly, an assemblage of lights and sounds to elicit a chaotic vortex of smudgy black charcoal that is streaked with freezing water, painted on celluloid, stained by sea creatures, hexed through new media, and entranced by guitar riffs. It includes moving images and sounds by Aldo Tambellini, Cultus Sabbati, Gast Bouschet and Nadine Hilbert, jonCates, mojo (for Aluk Todolo), Reto Mäder and Daniel Steffen (for Ural Umbo), Alexander Stewart, and Semiconductor.
.blacK~SSStaTic_darK~fuZZZ_dOOm~glitCH. was curated by invitation for Nitehawk Cinema’s Artist Film Club in Brooklyn, NY, where it premiered on January 24, 2013.
The Chicago screening will include an additional chapter, with video by Sandra Gibson and Luis Recoder and sound by Olivia Block.


.blacK~SSStaTic_darK~fuZZZ_dOOm~glitCH.

Curated by Amelia Ishmael

static

 Friday, April 12 at 8:00pm, $7-10

This video/film program is a screening inspired by storms and digital sorcery, or more pointedly, an assemblage of lights and sounds to elicit a chaotic vortex of smudgy black charcoal that is streaked with freezing water, painted on celluloid, stained by sea creatures, hexed through new media, and entranced by guitar riffs. It includes moving images and sounds by Aldo Tambellini, Cultus Sabbati, Gast Bouschet and Nadine Hilbert, jonCates, mojo (for Aluk Todolo), Reto Mäder and Daniel Steffen (for Ural Umbo), Alexander Stewart, and Semiconductor.

.blacK~SSStaTic_darK~fuZZZ_dOOm~glitCH. was curated by invitation for Nitehawk Cinema’s Artist Film Club in Brooklyn, NY, where it premiered on January 24, 2013.

The Chicago screening will include an additional chapter, with video by Sandra Gibson and Luis Recoder and sound by Olivia Block.

remixitright:

YOU CAN REMIX-IT-RIGHT?!

REMIX-IT-RIGHT is a screening program of contemporary video and new media artists remixing and reimagining works by Chicago Media Art pioneer Phil Morton. Morton’s genre-defying work anticipated remix; he also developed COPY-IT-RIGHT, an alternative to copyright that encourages making, sharing, re-editing and distributing media art!

REMIX-IT-RIGHT will screen on THURSDAY MARCH 7 in downtown Chicago at the Gene Siskel Film Center, as part of Conversations At The Edge with the Society for Cinema and Media Studies Annual Conference

AND YOU CAN PARTICIPATE! Just make your own remixes in forms that can be easily shown (such as Animated GIFs or videos) from the video above, General Motors by Phil Morton.  Part 1 is above and Part 2 is below:

General Motors (Part 2) - Phil Morton (1976) from Phil Morton on Vimeo.

both videos have download links via Vimeo so that you can download General Motors, Phil Morton’s most well known video art work!

Then post links to your remixes here on this tumblr as FEEDBACK! Or simply post your remixes to your own tumblrs and tag your posts: “REMIX-IT-RIGHT”! Selected remixes will be included in REMIX-IT-RIGHT screening along side the work of amazing international artists such as Yoshi Sodeoka, Rick Silva, Jennifer Chan, Emilie Gervais, Constant DullaartNick Briz and Akihiko Taniguchi!

This program is generously supported by the Richard and Ellen Sandor Family Foundation.

Organized by the Department of Film, Video, New Media, and Animation at The School of the Art Institute of Chicago in collaboration with the Gene Siskel Film Center and the Video Data BankConversations at the Edge is a dynamic weekly series of screenings, artist talks, and performances by some of the most compelling media artists of yesterday and today.

TIMONDs Are For Ever sketch - Morgan Higby-Flowers (2009)

KNØXXX.DØØM
Saturday, November 17th, 2012
at The Pilot Light
Knoxville, TN

featuring:
+ tmvrtx
+ yung_pharoah
+ missholloway
+ aduulterie

Special Thanks to Evan Meaney & Anthony Dunn!

timondPunk (bitcrushed) - jonCates (2012) remixing / reworking / mashing up: Diamonds ( Green Screen Version ) - Nick Briz (2012) of ”Rihanna’s performance of “Diamonds” on Saturday Night Live”  (2012) w/ TIMONDs Are For Ever sketch - Morgan Higby-Flowers (2009)


 Diamonds ( Green Screen Version )
  Nick Briz (2012) copy<it>right && rotoscoped by Andrew Briz DOWNLOAD MOV …here you go internetz, don’t tell Oliver Laric, don’t want him to think I’m jocking his style and/or copying his swagger, yawl know how net artists get these days. send me your remixes!  Web Artists Are Furious At Rihanna And Azealia Banks - “Rihanna’s performance of “Diamonds” on Saturday Night Live this weekend took most people by surprise, mainly because she was singing in front of a green screen instead of the show’s usual stage for musical guests. A small number of Web artists were in for a bigger surprise, though, as their visual aesthetic was co-opted entirely by the singer without consultation or credit.” > Buzzfeed  + Rihanna’s ‘SNL’ Performance Sparks Internet Backlash + The Internet Is Pissed At Rihanna For Her Screensaver Performance On ‘SNL’ + Cool Or Commerical: Rihanna and Azealia Banks Dip Into The Tumblr-Pond + Do Seapunks Have a Right to Be Pissed at Rihanna?  “But to claim that we, all of us, are not a part of this mutation process ourselves is the kind of lie that is unproductive, different than the creative, productive lie I mentioned before. We have to embrace mutation in all it’s forms if we embrace it at all. From net kids giving new meaning to the emptiness of commercial space, to art directors getting it wrong but thus getting it right. This is an exciting cycle that is also painful, like life.” > Jacob Ciocci

 Diamonds ( Green Screen Version )



Nick Briz (2012) copy<it>right
&& rotoscoped by Andrew Briz

DOWNLOAD MOV

…here you go internetz, don’t tell Oliver Laric, don’t want him to think I’m jocking his style and/or copying his swagger, yawl know how net artists get these days. send me your remixes!

Web Artists Are Furious At Rihanna And Azealia Banks - “Rihanna’s performance of “Diamonds” on Saturday Night Live this weekend took most people by surprise, mainly because she was singing in front of a green screen instead of the show’s usual stage for musical guests. A small number of Web artists were in for a bigger surprise, though, as their visual aesthetic was co-opted entirely by the singer without consultation or credit.” > Buzzfeed

+ Rihanna’s ‘SNL’ Performance Sparks Internet Backlash + The Internet Is Pissed At Rihanna For Her Screensaver Performance On ‘SNL’ + Cool Or Commerical: Rihanna and Azealia Banks Dip Into The Tumblr-Pond + Do Seapunks Have a Right to Be Pissed at Rihanna?

“But to claim that we, all of us, are not a part of this mutation process ourselves is the kind of lie that is unproductive, different than the creative, productive lie I mentioned before. We have to embrace mutation in all it’s forms if we embrace it at all. From net kids giving new meaning to the emptiness of commercial space, to art directors getting it wrong but thus getting it right. This is an exciting cycle that is also painful, like life.” > Jacob Ciocci

Golan Levin invoking Nam June Paik’s Magnet TV @ Conversations At The Edge (2009)

then

Rosa Menkman invoking Nam June Paik’s Magnet TV @ Conversations At The Edge (2010) 

then

Gabriel Menotti invoking Nam June Paik’s Magnet TV @ GLI.TC/H Birmingham (2011)

Video Art: An Anthology - Ira Schneider and Beryl Korot (1976)

Video Art: An Anthology - Ira Schneider and Beryl Korot (1976)


((20120622-0421PM))

my wwwork: 505.VIRI - jonCates (2005.05.25)is in the newww Rhizome.org FEATURED COLLECTION: Formalism &amp; Glitch: http://rhizome.org/artbase/collections/6/

my wwwork: 505.VIRI - jonCates (2005.05.25)

is in the newww Rhizome.org FEATURED COLLECTION: Formalism & Glitch: http://rhizome.org/artbase/collections/6/

GLITCH GRINDER | DIY Video FX Hardware | Introduction - Juergen Koppmann (2011)

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NIGHTNIGHT by DEDDY